The Powerhouse Museum collection contains material relating to architecture and the built environment, of local, national and international significance. The collection includes scale models, design archives, plans, drawings, photography and interior fittings, with projects ranging from iconic buildings by award winning, internationally recognised Australian architects Glenn Murcutt, Harry Seidler and John Andrews, to social housing and civic projects of public interest. Architectural models form an important part of the architecture and built environment collection, and the Museum has many fine examples of conceptual, working, and large-scale presentation models that illustrate this craft.
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The Museum of Applied Arts and Sciences has just opened a display with striking objects, photographs and archival material from its extensive decorative art and design collections, to celebrate the centenary of the Bauhaus, the most influential 20th century school of design.
Last month the Museum opened a new exhibition commemorating the 50th anniversary of the Apollo 11 Moon Landing. As the curator, I’ve spent the past 12-18 months developing this exhibition, which explores the events of 1969, and celebrates what is possibly the greatest scientific achievement of all time.
Name: Karen Biddle Role: Registrar / Collection Database Administrator What is the main focus of your role at MAAS? My main focus is the MAAS collection database (called 'EMu'), for which I manage user group permissions, report design, QA work, large data queries and exports, periodic statistics, and providing training/support to users for everyday usage queries.
Like many suburbs of Sydney, Pyrmont and Ultimo have undergone significant changes during the last two hundred years. It’s hard to imagine the current peninsula filled with the sounds of quarrying, smoke from iron works and power stations and sweet smells from Colonial Sugar Refinery (CSR).
Held annually at the Powerhouse Museum since 1993, the Student Fashion display showcases the work of Sydney’s top local fashion design graduates, providing insight into the skills and potential of the next generation of Australian designers.
Last year, we introduced to our readers the first glass and ceramic objects acquired for the MAAS collection with funds from the remarkably generous Barry Willoughby Bequest. We are delighted to share the news about two more recent acquisitions enabled by Willoughby’s passion for Australian studio glass and ceramics as expressed in his will.
In March 2019, one of the largest global environmental protests took place, with at least 1.6 million people coming together in over 125 countries to protest inaction on climate change. The Global Climate Strike was inspired by 16-year-old Swedish student Greta Thunberg, who started an international movement after sitting outside Swedish parliament in August 2018 with a hand-painted banner that read ‘Skolstrejk för klimatet’ (‘School strike for the climate’).
Guest post by Bernard Singleton, Curator Bernard Singleton is a curator and craftsman from the Cape York region of Australia. He has worked with UMI Arts, Cairns Art Gallery and the Cairns Indigenous Art Fair.
On my recent visit to the Sydney Jewish Museum to experience the exhibition Jukebox Jewkbox! A Century on Shellac and Vinyl I was interested in how the Sydney Jewish Museum has explored the technology of recorded music.
I recently had the privilege of seeing the exhibition Jukebox Jewkbox! A Century on Shellac and Vinyl at the Sydney Jewish Museum in Darlinghurst. The exhibition explores the phenomenon of mass-produced music, performance and comedy on the mediums of shellac and vinyl, and the enormous part Jewish people have played, and continue to play in the industry.
"Public space is a great equaliser, and an ancient forum." The placing of posters in public spaces is artist Peter Drew’s way of drawing attention to Australia’s immigration issues and a direct response to the Australian government’s ‘Stop the Boats’ campaign.