Dismantling Reigning Men took a full week of sweat, noise and dust. But from it the MAAS team has crafted a cocoon of serenity designed to celebrate the creativity and subtle complexity of Akira Isogawa, in a new exhibition which opened on 15 December 2018.
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Wendy Ramshaw (1939 - 2018) was a leading contemporary British studio jeweller renowned for her innovative approach to jewellery design and production. Ramshaw emerged on the international jewellery scene in the 1970s, exerting a significant influence through inspiring exhibitions, workshops and artist residencies in countries such as the USA and Australia (1978).
Concerns about the harmful impact of the global fashion industry on the environment and worker exploitation, particularly in the case of low priced, low quality fast fashion, has prompted the exploration of alternative ways to source materials and produce garments.
Ever wondered how to donate to a museum? Curator Tilly Boleyn reveals what to consider before you get in touch. Spring is a busy time. Flowers are blooming, lambs are frolicking and people are clearing out their sheds thinking, “I wonder if I should donate this to a museum?”.
From its very beginnings, rock n roll has argued with itself over image. Is the rock image glam, flashy, showy and gregarious? Or is it honest, dirty, working class and brash? Regardless, ‘look’ has always played a massive part in rock n roll.
After the hardship and deprivation of the 1930s and the anxiety and rationing of the 1940s, Australia experienced great optimism, growth and prosperity in the 1950s. During this decade three Australian-made products were manufactured which became icons in our cultural history, Holden cars, Victa lawnmowers and Sunbeam Mixmasters.
Lav, privy, loo, thunderbox, WC, outhouse, toot, throne, restroom, powder room, washroom, john, kharsi, bog, comfort station, and even twinkle-palace, are just some of the euphemisms used for toilets.
The Museum of Applied Arts and Sciences recently acquired the ‘New Armor’ stool by South Korean contemporary designer Kwangho Lee, which reflects the ‘Return to Craft’ movement as featured in the Powerhouse Museum exhibition Common Good.
What were you to do if you were a woman living in a country town during the 1920s and dreamed of wearing the latest fashions from Paris? This dressmaking kit, which came to the donor from a house in Warwick, Queensland, speaks of the wide influence of Paris fashions and the audacious ‘lady overlanders’ who traversed the country showing samples and taking orders for the Swiss embroidery business, Sonderegger & Co.
A small showcase on Level 1 at the Museum shares the story of a very special little radio. Earlier this year, Red Room Company invited MAAS to contribute an object from the museum collection to the learning resource and workshop program of Poetry Object 2018.
Instantly recognisable for their distinct appearance of blue skin, white clothing and a small stature, Smurfs are a cherished worldwide children's franchise that began in Belgium in the late-1950s.
Mythical creatures, grotesque faces, writhing snakes, horse’s hooves, glinting shovels and pickaxes… all things not usually seen on walking sticks. However, the carvings of Robert Read display the potential creativity and whimsy of this part utilitarian, part fashionable item.